'Everybody has freedom, but you cannot start a fire in a crowded theatre.'
Filmmaker Shyam Benegal, who as FTII chairman was himself gheraoed by students, gives us his point of view on the crisis facing India's premier film school.
'Today if you look at the way India is growing many people are saying the sleeping elephant has finally woken up, is dancing!' 'I have travelled extensively, in about 60 countries. In all these the moment you say India, the first thing they mention is either an actor's name. Or they start humming a song.' 'I wanted to be in Bollywood. It is the most powerful medium we have in this country. That's soft power.' Listening in on Shobhaa De, Kabir Khan, Vikas Swarop and Saffron Art CEO Hugo Weihe speak on India's Soft Power, Hard Influence.
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'I am not a fan of remakes. The Shaukeens does not have a single scene or character taken from the original.' Abhishek Sharma, director of The Shaukeens, explains why his film is different.
'For women, it's about, 'See idiot, this is what we go through.' For that, they will get their men.' 'When he comes, he will understand women's problems and say, "You are special" and she will get that 10 minutes ka bhaav. But it's very important.'
Killer Kangana or Teasing Twinkle? Take your pick!
The genius of Deadpool lies in the audacity of its storytelling, raves Raja Sen.
What if we these popular American television series were made in India?
Ananth Mahadevan takes on the audience.
'Saif is very passionate as an actor. He is always thinking way ahead. He wants to make movies for the future. He doesn't necessarily stick to the current trends.' Director duo Raj Nidimoru and Krishna DK discuss Happy Ending.
'It's very expensive for a girl to become an actress. I remember I was nominated at all the award shows for Tanu Weds Manu, and conscientiously, like a new actress, I attended all of them and I was bankrupt by the end of it! I had to find a costume stylist, a hair stylist, a makeup stylist...!' Ronjita Kulkarni/Rediff.com gets inside Swara Bhaskar's mind.
Sreehari Nair explains why Haraamkhor may just be the most liberating Hindi movie made since Hazaaron Khwaishen Aisi.
'I've answered all those people who are tweeting nonsense about Varnika Kundu and trying to shame her.' 'Shame her for what? For being a young girl at a party with friends? For enjoying herself?' 'I think it is ridiculous for somebody to say that she should not be out at night.' 'Why should a girl not step out at night?' 'What does that mean?' 'Does it mean that something happens to the boys at night and they change into monsters?' 'If so, then the problem lies with the boys, not with the girls.' 'Please keep your sons at home at night.' 'Why are you telling girls where to go and what to do?'
